Nothing else to say
Some movie formulas are so much fun you can’t help but want to put yourselves in the character’s shoes.
If it were a body switch comedy (or any genre), you wonder, “Who would I want to switch bodies with?”. If it were a fish out of water plot, where would you as the (hypothetical) fish wish to be? And, if you were stuck in the same day on a constant loop (most notably done in the classic film Groundhog Day), what would you do?
Dear Link,
From all the stories and photos you mom put on social media, it did not take me long to realize you and your younger brother Lenny had a blast during your first ever trip to Disney World.
This, of course, has been a bit of a family tradition going back long before you were even born. It’s been nearly two decades since I was last there: Pirates of the Caribbean was not even a movie yet. It was also brought to my attention that, before you guys left, you and Lenny watched most of the Disney classics to prepare you. Take it from me, that is a lot of movies for two brothers who are only five and four!
When the credits rolled at the end of In the Heights, I stayed to see if I could find out how many extras were used for dancers. I soon realized that the list would have been at least the size of three screen shots. I returned home, I logged on to HBO Max, and (to the best of my ability) counted how many extra dancers were used.
The final count I arrived at was 274. Honestly, it may as well have been 96,000.
This time of year, we normally get some original Netflix films that are not worth mentioning (such as the atrocity that is Thunder Force, a movie I detested so much I keep forgetting it is not called Thunder Rush). That irrelevant film took the superhero premise and made a family film that was not fun for anyone in the family. Thankfully, that film will be forgotten once families discover a film that was made for any member of the family: The Mitchells vs the Machines.
I will give Guy Ritchie’s newest film this much: It is the first film I have seen in some time that revolves around the drivers of big bags of cash.
In heist films, the drivers are very much underappreciated (if not by their employers, then certainly the audience), so the Wrath of Man did have me a tad bit hopeful in that we may get a new type of action packed thriller. Sadly, that is not the case.
My love for cinema truly became apparent to me in my early teen years, but my love of the Mortal Kombat video games started at the age of five.
I remember with perfect accuracy my parents’ hesitancy to get the game for my older brother Adam and I, but they eventually gave in to our wishes (provided we got along). The following years resulted in many hours playing MK 1-4 with friends (most notably my best friend Greg) on button mashing, face punching, gut kicking, head decapitating, limb ripping, organ exploding bliss. That is not to mention the 1995 original film (with a theme song that never grows old) that still delights today, despite a sequel that proved to be one of the worst films mankind has ever known.
Truth be told, my knowledge of “March Madness” is very low (which would surprise no one who knows me). I truly picked Gonzaga to win without knowing until later that they were undefeated, so it should come as no surprise that I have not really watched any games this year.
Why do I say all this? Because the real march madness I have waited for (even more than the “SnyderCut”) since witnessing the ending credit scene of 2017’s Kong: Skull Island has finally arrived, in the ultimate movie monster matchup of Godzilla vs. Kong. In fact, I quickly realized that I have awaited this film since my dad showed me the original (and rather badly dubbed) 1960s version, which has had me on #TEAMKONG ever since.
IMDB may have the director of 2017’s Justice League as Zach Snyder, but that was far from his original film.
The origins of the “Snyder Cut” are now well known: When the film was being finished in early 2017, Snyder had to back out after the tragic suicide of his daughter, Autumn. Joss Whedon (who helmed the first two Avengers films for the MCU) stepped in, and the film was changed drastically. The film’s 4 hour run time was basically cut in half to two, the tone of the film was much lighter, and composer Thomas Holkenborg (better known as Junkie XL) was replaced by Danny Elfman.
In September of 2020, most people, including myself, were upset that the live action Mulan cost $29.99 on Disney Plus, only to be free to the masses the following December. Disney has done the same again with their newest film, Raya and the Last Dragon, which is, as of this writing, both on Disney Plus for $29.99 as well as in theaters. It will become free on the streaming service on June 4th.
While I was fortunate enough to see the film in theaters at a much more reasonable price of $7.79, I would say the film is such a treat that it is worth the thirty bucks. I will not say it is worth going to a theater if you do not feel safe: no movie should compromise your health. This is the best animated film I have seen since Spider-man: Into the Spider-Verse.
Since the 1940s, Tom and Jerry have been “frenemies” before the term was even invented.
Although I was not a huge fan of them growing up (I was more a “Wile E Coyote/Road Runner” fan), they are still the first thing that comes to mind when I hear “cat and mouse”. Although I am not a parent (and have not been in contact with kids such as my nephews for sometime due to the pandemic), I am hesitant to say that kids today are still fans of the original T&J shorts as their parents or grandparents were. This brings us to the live action Tom and Jerry film, which left me (and I assume many others) with more than a few questions: the biggest being, “Who is this film made for?!?!” (An honorable second place goes to “Why was this made?”)
Nothing else to say