The increasing gaps between film releases in the MCU is becoming apparent.
This can be due to many factors, including the now (thankfully) ended SAG-Aftra strike. Yet the quality in the films (not to mention most of the TV shows) in the MCU have been dipping in the last year or two. True, the last movie we had, Guardians of the Galaxy Vol 3, had its moments, but that was back in May. Since then, the only true good thing we have gotten was a second season of Loki, which arrived the same time as the newest film, The Marvels. It should be no wonder why the only MCU film to be released next year will be the long awaited Deadpool 3.
As the second film of the MCU’s Phase 4, Shang-Chi and the Legend of the Ten Rings also holds the distinction of being the first true origin story film of the MCU since 2019’s Captain Marvel.
Of course, one could argue that Black Widow was also an origin story, but we have seen Natasha since 2010’s Iron Man 2. Shang-Chi is a character we had no interaction with until now. Like a good amount of the films in the series, it showcases a character that only true comic book fans know something about (I can still remember when non fanboys like myself needed the movies to introduce the likes of the Guardians of the Galaxy, Thanos, Black Panther, and even Iron Man.)
Were he alive, I would think my dad would have loved this movie.
Back as a kid, he got me hooked on King Kong with the 1962 Japanese film King Kong vs. Godzilla (a movie you can never convince me is anything but great). If I remember correctly, I wanted Kong to win while my older brother was rooting for Godzilla (SPOILER: Kong wins).
Over the years, I have seen a few other monster movies, from the great King Kong remake in 2005 (a film my dad did not like) to the Godzilla films of 1998 (a let down) and 2014 (mildly good).
In Kong: Skull Island, the movie is set in the 1970s just after the Vietnam War. A researcher Bill (John Goodman) and his assistant Houston (Corey Hawkins) get the ok to explore a new island found on satellite photos. Of course, they need a military escort, which is led by Preston Packard (Samuel L. Jackson, of course). Joining their crew is tracker James Conrad (Tom Hiddleston, proving he can be more than Thor’s adopted brother Loki) and photographer Mason Weaver (Oscar winner Brie Larson).
What I liked about this film was that, unlike other films when we had to wait a while to see the star (and really, who else would steal the show over Kong?), director Jordan Vogt-Roberts gives us a look at him rather soon into the movie. The same can also be said about some of the other creatures in the movie (I feel I should note there are some giant ants that look like spiders, for those of you who have arachnophobia).
Parents, the movie is rated PG-13 mainly for the swearing (I counted one F bomb) and the action (the violence is there, but is not any worse than that of The Lord of the Rings movies). Middle School and up is fine.
There are some scenes that seem tacked on that make the movie go on a lot longer than it needs to, but there are plenty of action scenes that make the movie more that worth recommending. There are some scary moments, but not any that will haunt your kids for days. If anything, they are the sequences that make kids turn away, yet look back in an instant.
To see the cast and crew treat a film icon like King Kong with this much honor and respect (which is really all Kong ever wanted) is a breath of fresh air.
(Note: There is a scene after the credits, which, if it is telling the truth, will have me buying tickets in a heartbeat).
I feel like I am walking on the thinnest of ice right not.
Room is definitely one of the year’s very best films, if not the best, but how do I convince you to see it? For starters, I could say that it was playing an hours drive away from me, and it was more than worth the trip. I could say it has probaly the best performances you will see all year. What I can’t say is what you may feel personally, only that I felt emotions as strong as I have in any theater experience I have had in my life.
Nothing else to say 