Undoubtedly, the romantic comedy is one of the most overused genres.
For every 90s Julia Roberts flick, we get a movie like 2010’s Life as we Know it (which, for undisclosed reasons, was once trending big on Netflix) or 2018’s The Kissing Booth (which made a sequel for reasons unknown to us smart movie goers). In this genre, it seems that you win some, you lose a lot.
Nothing else to say 