Nothing else to say
After the memorably disappointing Moana 2, it seemed like the end of the line for animated films in 2024. While the leader of the pack was clearly The Wild Robot, there was not much else apart from the admirable Inside Out 2 and the humorously bizarre Memoirs of a Snail (it may be hard for me to listen to John Denver for some time now.)
Then, as can only be described as a tsunami, entered Flow.
It is clear that we are feeling the true effects of last year’s strikes.
I supported the strikes, but as a cinephile it came at a cost: This year’s movies would not be strong. As of this writing, I’ve seen just under thirty movies that were released this year (I have yet to see certain titles such as Challengers and Kinds of Kindness), and none of them were five stars (though some were close).
Still, I have hope, as the second half will give us the likes of Deadpool & Wolverine, Twisters, Sing Sing, Longlegs, Alien: Romulus, Beetlejuice Beetlejuice, and plenty more (I don’t care what the reactions were at Cannes; I am still stoked for Megalopolis.)
The best of the Disney/Pixar films have been able to somewhat shape our views of the world, regardless of age.
As a kid, the aftermath of Toy Story had me admittedly silently trying to sneak a look at my toys, to catch them in the act of being alive. It took me a while to stop looking at a fish tank in a doctors office differently thanks to Finding Nemo, or what it would be like talking with my ancestors after Coco. And yes, even after nearly a decade, I still sometimes wonder what the emotions in my head are like after the original Inside Out.
Nothing else to say