Barely two minutes into the newest Paul Thomas Anderson film, I jotted down one word:
“Timely?”
Barely two minutes into the newest Paul Thomas Anderson film, I jotted down one word:
“Timely?”
In the 1988 classic Cinema Paradiso, one of the last pieces of advice that Alfredo (Philippe Noiret) gives to young Salvatore (Marco Lenardi) is not to give in to nostalgia.
When one sees that movie (and one should), one realizes a sense of irony, so much of the film is about nostalgia (pumped up by an immaculate musical score by Ennio Morricone). It is this type of sentimentality that drove me to an idea of sorts as I approached 2025: my top 25 movie milestones from the first 25 years of the century.
From The Little Things to The Tragedy of Macbeth (Denzel bookends), I rounded out my amount of movies seen at seventy.
Even with that amount of movies, there was a fair amount of films I did not get to in time (especially, sadly, Foreign Language films). These include The Last Duel, The Green Knight, The Card Counter, Drive my Car, The Worst Person in the World, Stillwater, and The Tender Bar.
While I admit to not seeing all of his films just yet, it does not take much to realize that director Paul Thomas Anderson is indeed what one could call an acquired taste. It is a lighter affair this time around for Licorice Pizza, but it does not at all make it less fascinating.