Nothing else to say
It isn’t that Venom is a terrible movie, but it most certainly is a disappointing one.
This is especially true when you have a great talent like Tom Hardy in the lead role. He himself is really the only thing worth seeing in this film (and, admittedly, some unexpected laughs I was not expecting).
Was I the only one confused by a title like Crazy Rich Asians? I am not sure. It was about a fourth or a third of the way into director Jon M. Chu’s film that I realized how perfect the title truly is. Are they crazy and rich or just “crazy rich”? The answer is a resounding yes. The words can also describe the film as well. Afterall, it is crazy that this is the first film western film in a quarter century to have an all Asian cast (the last was 1993’s The Joy Luck Club). It is rich in comedy, romance, and all out heart.
Also, it is Crazy how the lead actor Henry Golding is able to make his first film performance here so memorable. He plays Nick Young, who has been dating Rachel Chu (an instantly lovable Constance Wu) for over a year. His best friend Colin (Chris Pang) is getting married in one of the biggest weddings ever (more on that later). It is on the plane ride to Singapore that Nick breaks the news that his family is rich (which is a vast understatement).
When compared to Black Panther and Avengers: Infinity War, Ant-Man and the Wasp seems like a step back to for us to catch our breath. It is not as good as the previously mentioned films, but it is still another hit for the titan Marvel team (and an improvement from the first film back in 2015).
It is such an improvement that I am willing to sit through the original again to make sure I did not miss anything (I was not a fan). It is required to see before hand, as Ant-Man and the Wasp is one of those sequels where you will be too confused going into without prior knowledge. We pick up a few years after Ant-Man/Scott Lang (Paul Rudd, who is ideally cast) had helped in Civil War. He is on house arrest, but is still able to spend some time with his daughter Cassie (Abby Ryder Fortson). Lang is only a few days away from getting rid of the ankle bracelet before he is kidnapped by Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lilly), now known as the Wasp. Once it is discovered that Scott had a dream linked to Hank’s long-lost wife Janet (Michelle Pfeiffer), there is the possibility of bringing her back.
Other characters return such as Scott’s ex-wife Maggie (Judy Greer) and her new hubby Paxton (Bobby Cannavale), who no longer hate Scott. There is also the return of Scott’s friend Luis (Michael Pena), who gets more into the action scenes than before.
The new characters include Hank’s old work associate/rival Dr. Bill Foster (Laurence Fishburne) with his own hidden agendas, and the mysterious Ava (Hannah John-Kamen), also known as Ghost. While she is not the most memorable villain, she does become more than a match for the two title heroes. There is also Walton Goggins as Sonny, a mob man after Pym’s lab (Ghost is as well, but for other reasons).
I forgot to mention about the lab. By now, we know Hank has made the technology to change the size of any object, and his lab is no exception. How convenient it is to just carry literally not only your work, but the location as well wherever you want! He also has a collection of cars he can pick from to drive at his leisure (now that I think of it, he should have had a tank, but oh well).
The movie clearly has a lot of laugh out loud moments (most of which go to Rudd, but everyone has their fair share). Some of the moments, however, are the negative reactions I felt. The main includes Michael Pena (who is undoubtably talented). While he has many scenes with laughs, it is his one that involves “truth serum” that stretches beyond the breaking point.
Director Peyton Reed clearly knows how to meld the action with the comedy (such as the scene where Ant-Man and Wasp need to get a memento from Cassie while she is in school). We hardly think of things like special effects when they happen, because they are so good we are left only to care for the characters, which is what we should do in the first place.
Parents, as stated before, this is a much lighter movie than other Marvel films. There is swearing, action, and some kissing (one scene of extreme making out), but that is it. Middle school and above are totally fine, and even maybe down to age seven or eight.
I end by saying how Marvel movies never get enough credit for their casting choices. Very few (if any) of the casting choices have been wrong for Marvel in the past ten years (who would have thought replacing an actor like Edward Norton with Mark Ruffalo would be the better move?!) In this film, we get the sense of how much fun it was for the elder Pym’s to have been the original Ant-Man and Wasp (obviously, due to thespians like Douglas and Pfieffer). Add in Rudd, Lilly, and the others I won’t mention in the other films, and you see only a glimpse of why this universe has been so dominate, and will continue to do so.
Overall:
⭐⭐⭐⭐
Rating: 3.5 out of 5.
It was a fourteen year wait we all endured (along with the third film in 2001) before 2015’s Jurassic World brought back dinosaurs to the theme park, and was probably the best since the original classic back in 1993.
Three years later, we have Jurassic World: Fallen Kingdom. Fallen indeed. It is like going to a great destination but having your GPS take you though places you never knew existed, resulting in you feeling somewhat interested, but wishing for other scenery on the route.
Marvel is now just one or two movies away from me actually picking up a comic.
The Thor trilogy ends, as the other two trilogies Marvel has provided (Iron Man and Captain America) ended, with a blast. Thor: Ragnarok is not only the best Thor movie, but one of the top four or five best Marvel has ever given us to date.
There are many elements of Rogue One: A Star Wars Story that make it stand alone from other films in the Star Wars saga, but that does not make it any better. I won’t go into spoilers, but there is one key part of a Star Wars movie that you would expect to have and this film does not. I won’t say what it is, but when you see it, I hope you are not as let down as I was.
I was always a Star Wars fan since I first saw it at the age of 7 or 8 (the original trilogy came out before I was born), yet I admit I still was unsure of what to expect with the movie, but about twenty minutes or so into it, I started getting “a bad feeling about this”. If you don’t know the Star Wars films (and you should), Rogue One is supposed to take place right in between episodes three (Revenge of the Sith) and four (A New Hope). It tells the story of Jyn Erso (Felicity Jones), whose mother is killed after her father Galen (Mads Mikkelsen) is taken by an Imperial Commander, Orson Krennic (Ben Mendelsohn), to return to the Empire to help finish the Death Star, despite not wanting to go.
Eventually, Jyn meets up with another rebel named Cassian Andor (Diego Luna), who is accompanied by a scene stealing K-2SO (Alan Tudyk). While he has nothing on R2-D2 (possibly my favorite character of all time), K-2SO does hold his own. We get other characters including a blind Baze Malbus (Donnie Yen), his friend Chirrut Imwe (Wen Jiang), pilot Bodhi Rook (Riz Ahmed), and the mysterious gritty Saw Gerrera (Forest Whitaker).
One of the main problems that the movie (along with The Force Awakens, which I feel was much better) is that it lacks a good villain. Krennic is an imperial officer who does have other authorities to report to, mainly Moff Tarkin (originally played by Peter Cushing in the first Star Wars, though now is CGI enhanced on actor Guy Henry, which I must admit looked pretty awesome). Still, there is no way around the fact that it is Darth Vader (still voiced, as he always should be, by James Earl Jones) that commands the screen. No matter your thought on this or any film in the franchise, the image of the all black suit sends chills down your spine.
This also causes a dilemma, because the movie was apparently supposed to be known as a stand alone. Sure, some minor characters make appearances that I would consider as “easter eggs”, but we get other main characters (besides Vader) who make brief cameos. While I was ok with the one at the end of the film, there was another during a lift off scene that was totally tacked on and not needed at all (much like the titles of the names of all the planets).
Parents, despite it being a PG-13 movie, there is nothing completely wrong here at all that a child of 8 or 9 could not see. Characters die, but if they have seen any of the other films, they are fine here.
Is this movie better than the originals? Heavens no. Is it better than the prequels? I don’t know (it has been a while since I saw those, although I am still confident my least favorite of all Star Wars films is Episode Two). For one reason or another, Rogue One does seem to miss the gravitas that makes the Star Wars universe so wonderful in the first place.
Overall:
⭐⭐⭐
Rating: 2.5 out of 5.
While director Denis Villeneuve (who did Prisoners and Sicario) does a great time of pacing and giving vivid visuals in his newest film, the one downside from Arrival is that it tends to be a tad too smart for its own good.
That is not to say the film is not worth checking out; quite the contrary. The story centers around the arrival of aliens in twelve locations around the world. We spend the majority of the time in location in Montana, where Colonel Weber (Forest Whitaker) has recruited Scientist Ian Donnelly (Jeremy Renner) and linguist Louise Banks (Amy Adams) to try to access the situation.
I admit that when I heard they were doing a new film in the Jurassic series, I was hesitant.
The first film came out when I was six, and it was a great entertainment. Sadly, after the unimpressive (but mildly entertaining) The Lost World and the very anti-fun Jurassic Park 3, it seemed the original was doomed to follow the same path of another Spielberg classic, Jaws.
Nothing else to say