Nothing else to say
Maybe I was just Mr. Grumpy pants when I was watching this film.
Perhaps I just was not giving The Tomorrow War a fair opportunity to try to be a semi fun time travel film. I do confess that I can overthink a lot at movies, but it did not take me a long time to realize this film should have stayed in the future. The very, very distant future.
Some movie formulas are so much fun you can’t help but want to put yourselves in the character’s shoes.
If it were a body switch comedy (or any genre), you wonder, “Who would I want to switch bodies with?”. If it were a fish out of water plot, where would you as the (hypothetical) fish wish to be? And, if you were stuck in the same day on a constant loop (most notably done in the classic film Groundhog Day), what would you do?
When the credits rolled at the end of In the Heights, I stayed to see if I could find out how many extras were used for dancers. I soon realized that the list would have been at least the size of three screen shots. I returned home, I logged on to HBO Max, and (to the best of my ability) counted how many extra dancers were used.
The final count I arrived at was 274. Honestly, it may as well have been 96,000.
It wasn’t the hair. It wasn’t the look. It wasn’t even the fact that dogs may get killed.
Around the age of five, what got me scared right off the bat of Cruella De Vil was simply that she seemed to always be yelling. Even when she was not upset (which was rare), she was at a high volume.
Truth be told, my knowledge of “March Madness” is very low (which would surprise no one who knows me). I truly picked Gonzaga to win without knowing until later that they were undefeated, so it should come as no surprise that I have not really watched any games this year.
Why do I say all this? Because the real march madness I have waited for (even more than the “SnyderCut”) since witnessing the ending credit scene of 2017’s Kong: Skull Island has finally arrived, in the ultimate movie monster matchup of Godzilla vs. Kong. In fact, I quickly realized that I have awaited this film since my dad showed me the original (and rather badly dubbed) 1960s version, which has had me on #TEAMKONG ever since.
IMDB may have the director of 2017’s Justice League as Zach Snyder, but that was far from his original film.
The origins of the “Snyder Cut” are now well known: When the film was being finished in early 2017, Snyder had to back out after the tragic suicide of his daughter, Autumn. Joss Whedon (who helmed the first two Avengers films for the MCU) stepped in, and the film was changed drastically. The film’s 4 hour run time was basically cut in half to two, the tone of the film was much lighter, and composer Thomas Holkenborg (better known as Junkie XL) was replaced by Danny Elfman.
In short, if you were confused too much by Christopher Nolan’s Inception (2010) a decade ago, then his new film Tenet is not for you.
Watching the first hour or so of Tenet is like walking slowly into the ocean, unaware that the floor beneath you is not as flat or reliable as you would like (such as in a pool).
Note: This review was originally written in February of 2018. I decided to bring it back (with some added content) in memory of the late Chadwick Boseman.
A lot of slack should be given to The New Mutants.
While a film’s release date getting pushed back would most likely be due to the film being overall bad, this film has its released date pushed back for a number reasons.
“The fact that you prevented it from happening doesn’t change the fact that it was going to happen”.
The line of dialogue from John Anderton is also his core belief, and one of the many lines of dialogue that has stuck with me for the countless times I have seen Minority Report (2002) over the years. It is a film that asks you to think long after, but not to a degree that certain films (especially science fiction) would make some viewers need to take a Tylenol. That, and it is as engaging as any film that has come out in the first two decades of the 21st century.
Nothing else to say