Nothing else to say
There was this one moment in The Office when Dwight mentions the online game called “Second Life.” In it, he does everything he would do in his everyday life, except now he can fly.
As the titular character of Black Adam, one could say something along the same lines for Dwayne Johnson (and before you say “Wait, he doesn’t have electrical powers!”, keep in mind I grew up knowing him as the most “electrifying man in sports entertainment”.)
Note: Earlier this year, I was blessed to be a guest on the Game for a Movie Podcast, hosted by an old high school buddy of mine, Mike.
On his pod, he and his friends like to talk about random types of media consumption, including takes on bad movies.
It’s been nine years since the last film I had seen of David O. Russell’s (American Hustle), and seven since his last film (Joy).
In that time, even more has been brought up being in the working atmosphere of David O. Russell (as well as at least one sexual misconduct allegation).
Just under a year ago, I remember a hangout with some of my best friends. We decided to watch a movie in the backyard with the big screen. The movie chosen beforehand was Hocus Pocus, a movie familiar to many 90s children like myself. I had revisited the film at least once before as an adult, and was sadly underwhelmed, for the nostalgia did not hold up. Yet I care for my friends and wanted to have a good time, so I persisted.
As I looked back at Roger Ebert’s review of the original, he said it was “like attending a party you weren’t invited to, and where you don’t know anybody, and they’re all in on a joke but won’t explain it to you.”
57.
That is the number you should know going into seeing The Woman King, for that is the age of it’s star Viola Davis.
There is no way I can discuss the live action remake of Pinocchio without talking in depth about the 1940 animated masterpiece.
Maybe I just can’t see past the end of my nose, but it is what it is.
Sometimes, I really can walk into a movie with high expectations, but in the case of Marcel the Shell with Shoes On, can you blame me?
Afterall, it isn’t easy getting a score of 98% on Rottentomatoes with over a hundred reviews (not to mention a 92% audience score with over 500 reviews), nor to be a film based off of a series of short films. Add in the fact that the film is literally about a living breathing Shell trying to find his family and it is no wonder one could consider this film nothing short of a long shot.
Perhaps baseball is not the best of comparisons, but if director Jordan Peele were to have his next seven films be duds, he would still be batting .300. Of course, that would also mean that Shyamalan would have a decent batting record also, so…oh nevermind (well, maybe lower if we count just how horrible The Last Airbender was.
Anyhow, after his 2017 breakthrough Get Out (which I did not like at first and admit my mistake) and 2019’s breathtaking Us, Jordan Peele’s Nope is yet another piece of proof that the man has come much further than one would have thought of the old Comedy Central veteran.
The key ingredient that made 2017’s Thor: Ragnarok one of the MCU’s most entertaining entries was it’s director Taika Waititi. The first two Thor films (mainly the second one) should almost be embarrassed when compared to the third, because the character was given a big injection of the unique semi-quirky humor that Waititi is known for.
Five years (and one Infinity War) later, the director has returned with Thor: Love and Thunder. It has the director’s touch, but it is lacking some of his magic.
As of this writing, I have seen a little over twenty five movies, both in theaters and on streaming.
This time around for my looking back at the first half of the year, I will do so in a way that would make Michael Scott of The Office proud: a 2022 cinematic “Dundees” for the first half of 2022.
In no particular order…
Nothing else to say