Nothing else to say
While I admit to not seeing all of his films just yet, it does not take much to realize that director Paul Thomas Anderson is indeed what one could call an acquired taste. It is a lighter affair this time around for Licorice Pizza, but it does not at all make it less fascinating.
The COVID-19 pandemic is approaching two long agonizing years of existence. I am fortunate to say that, while some in my family have caught the disease, none has passed away. I am aware others have not been so fortunate.
That said, a last minute COVID diagnosis has cancelled my family holiday plans for the second year in a row, so I am rather upset. Therefore, I am transferring my anger in a healthy way to my current separate anger at the worst movies of 2021.
Part of me wants to go the coward’s way, and not even review Spider-Man: No Way Home.
Easily the most anticipated movie since Avengers: Endgame, I will do all I can to be sure not to spoil anything for anyone, provided they have at least seen the two trailers for the film (and while this may be too little too late, stay away from the movies IMDB page).
Note: If you have not seen the original film, I forbid you to read any further until you have seen it. It is on HULU. Get a free trial. Do whatever you have to. I will wait.
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Seriously, go see it.
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Okay, you are back. Now for the review.
After winning an Oscar for his performance in the titular role Joker, Joaquin Phoenix takes a big jump to the other side of the acting spectrum into subtle territory in C’mon C’mon.
Of course, that does not make his performance any less impressive.
I am a sucker for many things in the movies, and one most definitely is when a film (animated or otherwise) has to do with a big family.
(Not to get too personal, but I have 6-8 siblings.)
It is a bit poetic that House of Gucci was released on Thanksgiving Weekend.
Like a big meal, House of Gucci will look appealing to many who may end up being surprised at the taste. It has parts that will be an acquired taste, while others will find it takes some time to digest.
After seeing tick, tick,…BOOM!, you may be wanting to ask me a simple question.
I have the answer: No, I had no idea that Andrew Garfield was able to sing.
A month or so ago, a question was asked on one of the (far too many) groups I am a part of on facebook: What is Will Smith’s best performance (or what was his best movie, I can’t remember which). My answer was simple: We need to wait until King Richard comes out.
In short, it is a good thing I did wait, because this is easily his best performance since The Pursuit of Happyness (2006).
Being born in the late 80s, the only real chance I had at watching a Ghostbusters film was the female remake back in 2016. Since I missed out on that one, Ghostbusters: Afterlife ended up being the first of the franchise that I’ve seen on the big screen.
Another reality set in as I was watching the franchise’s latest entry: we may be in a world now where audiences care more for fan service than plot. That is not to say the story of this film is not intriguing or confusing, but that telling a story is taking a back seat to fan service.
Nothing else to say