Categories
3 1/2 Stars Movies

Captain Marvel (2019)

As much as the MCU has impacted film goers (not just fans of comic books), it seems all the more surprising that it took twenty prior films for Marvel to finally feature a female-led superhero movie. Then again, Captain Marvel is no ordinary superhero

One of only two MCU films to take place in the past (the other was Captain America: The First Avenger), Captain Marvel brings us back to the 1990s (more on the time setting later). We meet an alien race called the kree, who are at war with the skrulls, aliens with the power to change into any form of breathing entity they encounter. The two main kree we meet are Vers (Oscar winner Brie Larson) and Yon-Rogg (Jude Law). Rogg is the more experienced warrior, who has taken Vers under his wing (as well as given her the powers she has). The kree are led by the Supreme Intelligence, who always takes a different identity depending on who is talking to it. In the case of Vers, it is a woman from her past she can’t remember (as much of her past has been jumbled up).

Eventually, Vers finds herself taken to Earth, where she begins to get pieces of her past back in place and must now find the woman she sees when she encounters the Supreme Intelligence (the woman, played by the always wondrous Annette Bening). Along the way, she meets a young Nick Fury (Samuel L. Jackson), in his rookie years of S.H.I.E.L.D. There are others in the film from previous MCU films, such as Ronan (Lee Pace), Korath (Djimon Hounsou), and Agent Phil Coulson (Clark Gregg), not to mention one of the main Skrulls, Talos (Ben Mendelsohn, who also doubles as Fury’s boss Keller). In short, the film is another example of how the casting of MCU characters have always (with a possible few exceptions) been spot on, and Brie Larson is clearly no exception. Watching her reminded me of RDJ’s Iron Man, but a little more toned down. She makes quips, can crack one liners, but is not as hard shelled as Tony Stark. She is able to be more vulnerable as she tries to find out who she really is and where she belongs

While the villain is not the best in the MCU (at least when compared to Killmonger, Loki, or Thanos), the one that Captain Marvel has to fight is really her inner self (which, when you think of it, is what all heroes have to do). Remembering that we are human is a scary thing, and can always be seen as a weakness (not just in a fantasy world).

The film reminds us that, as Christians, Satan thrives at playing mind games. He deceives and misleads. Reminding us of our past failures is something he does with glee, and no one is immune to it. Living into our true identity in Christ leads to human flourishing (Colossians 2:9-10).

Parents, the film is (like every MCU film) rated PG-13, but is a rather soft one at that. There are bad words, some action and violence, but nothing they have not seen in the MCU before (and far less dark than the events of Infinity War). If your kids have seen at least one of the prior MCU films, they are fine.

Is Captain Marvel the best MCU film? No. Is it a solid outing? Yes. It is also rather funny, especially if you are like me and grew up in the 1990s (“What is it doing?” “It’s loading”), but the directors (and screenwriters) Anna Boden and Ryan Fleck don’t rely just on nostalgia. Like the titular character, we leave the theater with the feeling that being human is not something to frown at.

That, and having a pet cat may not be as bad as I thought.

Overall:

Rating: 3.5 out of 5.

Categories
"Top Tens", and others Movies

The Top 20 Movies of 2018

2018 best
The honorable mentions…

Another great year of movies is in the books.
Toward the end of 2018, I realized I actually was able to see nearly all of the movies I wanted to in time (though there are a few I admit I am still on the look out for).
As was the case for the 2017 list, I decided to make a top 20 list , because numbers 11-20 were too good to ignore. If you really want to cut the list in half, gather all six infinity stones, put them in the infinity gauntlet, and…SNAP! (Too soon?)
 
As the title character in the next film would say, “Off we go!”…
 
20.
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The minds at Disney are no strangers to taking risks, and doing a sequel to the 1964 classic Mary Poppins is one of their biggest risks yet. Still, even 54 years later, Mary Poppins Returns is a success due to new original music, fine performances, two amazing cameos, and the practically perfect Emily Blunt.
 
19.
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There is no doubt that The Favourite will not appeal to everyone, as it has a very dark sense of humor. In time, you will be able to see the film for its witty script and impeccable acting.
 
18.
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As 2018’s highest grossing film, Black Panther was also one of the best critical successes in the history of superhero films. Cultural relevance, sublime action, and wonderful acting were sure helpful, as it may become the first superhero flick to be nominated for Best Picture.
 
17.
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Deep, thoughtful, and chilling are some of the best ways one can describe First Reformed. As many great movies do, it provides more questions than answers. Not to mention Ethan Hawke’s uncanny performance.
 
16.
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In one of the biggest surprises of the year, Crazy Rich Asians told us the story of characters that are relatable and worthy to cheer for. Based off of a book, there are more films to come, of which I am looking forward to with a big smile.
 
15.
 
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In his directorial debut, Jonah Hill’s Mid90s explores the lives of kids growing up in the search of someone to look up to. The result is one of the years most authentic films.
 
14.
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Lee Israel was an author who made money by forging fake letters from popular authors, and the portrayal by Melissa McCarthy of her in Can you ever forgive me? is a revelation (Richard E. Grant is great as well). She has had strikeouts in her film career, yet this is a home run that clears the stadium.
 
13.
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The heat is on blast in Steve Mcqueen’s Widows, with an all-star cast on the top of their game (led by the always wonderful Viola Davis). Just because it is being somewhat overlooked does not take away from its brilliance.
 
12.
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One of the most human love stories in the last couple years of cinema, If Beale Street could talk is one that may not have the outcomes most are wishing for. They are the outcomes that are the right ones.
 
11.
 
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Newcomer (and Golden Globe nominee) Elsie Fisher shines through all of Eighth Grade, another coming of age story that oozes with real authentic material. Gucci, indeed.
 
10.
 
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Your heart may have been rock solid if it wasn’t feeling warm after witnessing Green Book. Both Ali and Mortensen give Oscar caliber performances, giving us the ultimate bromance of 2018.
 
9.
 
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As of this writing, I have yet to meet anyone I have mentioned Spider-Man: Into the Spider-Verse to come back to me saying it was a bad movie. Believe the hype, for this is the best Spidey cinema has produced, the best animated film of 2018, and easily a post credit scene better than anything the MCU has offered.
 
8.
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Sorry if the above image brings back bad memories, but that is how big of a movie Avengers: Infinity War was. Even before the “snap heard round the world”, the film was unlike any superhero film we have seen before. Endgame cannot come soon enough.
 
7.
hereditary
 
A Quiet place had a nice premise, as did the currently popular (but not entirely great) Bird Box, but no film this year left me with such dread as Hereditary did. This movie will leave a unique bitter taste in your mouth for sometime after the credits, and I mean that as a compliment.
 
6.
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In no way would BlacKKKlansmen have been as wonderful as it was if it weren’t directed by Spike Lee. Only he could do justice to a true story about an African America undercover cop (an awesome debut by John David Washington, son of Denzel)  who joins the KKK. Yes, it gets political, but it is super intriguing.
 
5.
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Having a good directorial debut is one thing, but there is another level that Bradley Cooper is on in A Star is Born. He gives one of his best performances, does the fourth remake of a movie, and lets Lady Gaga show she has more than singing talent. Yeah, expect this to be mentioned more than once come Oscar night.
 
4.
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You can name any superhero you want, but none could hold a candle to the bravery of Fred Rogers, even if he is not completely well-known to kids today. Thankfully, the ever charming Won’t you be my Neighbor? is a chance to remind us not just of the man, but (more importantly) his ideals. A lovely day indeed.
 
3.
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Not since 2013’s Gravity has flying seem so realistic. Damien Chazelle’s First Man, the story of Neil Armstrong (an understated Ryan Gosling) walking on the moon, brings tension and grit to the highest of levels. Months later, the sound effects are still giving me the chills of space.
 
2.
roma
 
I have mentioned how Netflix’s original films are not always great, and while I have not seen all of them, I doubt many can come close to Roma. Director Alfonso Cuaron (director of the previously mentioned Gravity) delivers a passion project that is nothing short of sublime. It may be on Netflix, but the film deserves to be seen on the biggest screen you can see it on. Hands down 2018 most gorgeous film (even the cleaning of dog crap looked beautiful).
 
1.
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Throughout 2018, I wrestled up and down between my favorite film of the year, and then I came across a hidden treasure, Leave No Trace. The first film in eight years from director Debra Granik (her last film was the masterful 2010 film Winter’s Bone with Jennifer Lawrence), the simple story of a father (Ben Foster) and his daughter (amazing new comer Thomasin McKenzie) who try to avoid civilization is both heartbreaking and beautiful. It hit me in the feels more than any other film last year. You may not have heard of it, but it is out on DVD, and is more than worth looking for. Scratch that, it is worth buying.

Categories
2 Stars Movies

Aquaman (2018)

For the most part, the casting choices in the DCU films have been good (even Ben Affleck as Batman was not a total loss). That is still the case for Jason Mamoa as Aquaman, which is really the only true positive thing to say about the movie. He does make a splash, but the script is down right soggy.

The film does open with an origin story (which is fair, since it is not as well-known as those of Batman or Superman). We see how Tom Curry (Temuera Morrison), a lighthouse worker, finds a wounded woman named Atlanna (Nicole Kidman) on the shores. He heals her, they fall in love, and have Arthur. Eventually, Atlanna must return to Atlantis to stop the onslaught on Tom and Arthur after having run away from her marriage to King Nereus (Dolph Lundgren).

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5 Stars

Roma (2018)

It should come as no real surprise that a lot of the original films by Netflix are not that good.

Some (at least ones I have seen and heard of) are pretty terrible. I would say that Roma is not one of them, but that is a putrid understatement. Here is one of the best films of this or any year, and to say it is not worth seeing because it is not in English or in color would show how shallow you are as a movie goer.

Categories
5 Stars

Spider-Man: Into the Spider-Verse (2018)

If you were to show a graph of the quality of all the films about Marvel’s (arguably) most popular hero, there would be a lot of ups (Spider-Man 2, Spider-Man: Homecoming) and downs (Spider-Man 3, The Amazing Spider-Man 2). Still, just when you thought Tom Holland’s Spider-Man (a wonderful portrayal) was the best film we would get, in comes swinging Spider-Man: Into the Spider-Verse, which is quite possibly the best Spidey to ever web up the big screen.

If you have seen the trailer, you know there is a good amount of Spiders in this web. The main one is Miles Morales (Shameik Moore), a local teenager who goes to a private school he hates despite it being the wishes of his police chief dad (Brian Tyree Henry). The only person he does seem to have a positive rapport with is his Uncle Aaron (Mahershala Ali). It is with him that, one night he is (spoiler, well not really) bitten by a radioactive spider and senses his new powers.

The other versions of Spider-Man appear after a rip is caused in the quantum realm by Wilson Fisk (Liev Schreiber), better known as Kingpin. The main one is a much older Spider-Man (Jake Johnson), who has left his beloved MJ and is not in the best of shape. We also meet Spider Gwen (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Peni Parker (Kimiko Glenn), and Spider-Ham (John Mulaney). Trust me, you don’t want me to say any more about their characters. It is worth witnessing yourself.

Oh, how glad I am this movie was animated. Had the filmmakers tried to make this in the real world, it would not have succeeded. Animation is used to help explore more of the human imagination that live action cannot (I hope those at Disney who like remaking animated films into live action are reading this).

Yet the glorious animation still does not take away from the moving story. It has been some time since tears were in my eyes from both laughing out loud and at moments that truly got me a little choked up.

Parents, the movie can be a little dark, but it should be fine for kids elementary and up. No swearing (despite a few minor ones) or sexual content. Only the mildest of violence.

I close by saying that if there is a better ending post credit scene than the one here, I have not seen it. And I have seen all the movies in the MCU.

So yeah, Spider-Man: Into the Spider-Verse is amazing.

Overall:

Rating: 5 out of 5.

Categories
2 1/2 Stars

Fantastic Beasts: The Crimes of Grindlewald (2018)

One of the best things about the original Harry Potter films was that all were such good entertainments on their own merits that I still have a problem of picking my favorite (though the 5th and 8th are strong contenders). One thing is for certain: none of the prequels are in the conversation.

Categories
2 Stars

Venom (2018)

It isn’t that Venom is a terrible movie, but it most certainly is a disappointing one.

This is especially true when you have a great talent like Tom Hardy in the lead role. He himself is really the only thing worth seeing in this film (and, admittedly, some unexpected laughs I was not expecting).

Categories
0 Stars

The Death of a Nation (2018)

With about twenty or so minutes left in the new Dinesh D’Souza documentary The Death of a Nation, I realized he had changed my view on something that I held very dear to my heart. Until that moment, I was a firm believer in never having your cellphone on during a movie. Well, Mr. D’Souza, congrats, you have changed my belief.

If only I had done that sooner.

Categories
4 1/2 Stars

Crazy Rich Asians (2018)

Was I the only one confused by a title like Crazy Rich Asians? I am not sure. It was about a fourth or a third of the way into director Jon M. Chu’s film that I realized how perfect the title truly is. Are they crazy and rich or just “crazy rich”? The answer is a resounding yes. The words can also describe the film as well. Afterall, it is crazy that this is the first film western film in a quarter century to have an all Asian cast (the last was 1993’s The Joy Luck Club). It is rich in comedy, romance, and all out heart.

Also, it is Crazy how the lead actor Henry Golding is able to make his first film performance here so memorable. He plays Nick Young, who has been dating Rachel Chu (an instantly lovable Constance Wu) for over a year. His best friend Colin (Chris Pang) is getting married in one of the biggest weddings ever (more on that later). It is on the plane ride to Singapore that Nick breaks the news that his family is rich (which is a vast understatement).

Categories
3 1/2 Stars

Ant-Man and the Wasp (2018)

When compared to Black Panther and Avengers: Infinity War, Ant-Man and the Wasp seems like a step back to for us to catch our breath. It is not as good as the previously mentioned films, but it is still another hit for the titan Marvel team (and an improvement from the first film back in 2015).

It is such an improvement that I am willing to sit through the original again to make sure I did not miss anything (I was not a fan). It is required to see before hand, as Ant-Man and the Wasp is one of those sequels where you will be too confused going into without prior knowledge. We pick up a few years after Ant-Man/Scott Lang (Paul Rudd, who is ideally cast) had helped in Civil War. He is on house arrest, but is still able to spend some time with his daughter Cassie (Abby Ryder Fortson). Lang is only a few days away from getting rid of the ankle bracelet before he is kidnapped by Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lilly), now known as the Wasp. Once it is discovered that Scott had a dream linked to Hank’s long-lost wife Janet (Michelle Pfeiffer), there is the possibility of bringing her back.

Other characters return such as Scott’s ex-wife Maggie (Judy Greer) and her new hubby Paxton (Bobby Cannavale), who no longer hate Scott. There is also the return of Scott’s friend Luis (Michael Pena), who gets more into the action scenes than before.

The new characters include Hank’s old work associate/rival Dr. Bill Foster (Laurence Fishburne) with his own hidden agendas, and the mysterious Ava (Hannah John-Kamen), also known as Ghost. While she is not the most memorable villain, she does become more than a match for the two title heroes. There is also Walton Goggins as Sonny, a mob man after Pym’s lab (Ghost is as well, but for other reasons).

I forgot to mention about the lab. By now, we know Hank has made the technology to change the size of any object, and his lab is no exception. How convenient it is to just carry literally not only your work, but the location as well wherever you want! He also has a collection of cars he can pick from to drive at his leisure (now that I think of it, he should have had a tank, but oh well).

The movie clearly has a lot of laugh out loud moments (most of which go to Rudd, but everyone has their fair share). Some of the moments, however, are the negative reactions I felt. The main includes Michael Pena (who is undoubtably talented). While he has many scenes with laughs, it is his one that involves “truth serum” that stretches beyond the breaking point.

Director Peyton Reed clearly knows how to meld the action with the comedy (such as the scene where Ant-Man and Wasp need to get a memento from Cassie while she is in school). We hardly think of things like special effects when they happen, because they are so good we are left only to care for the characters, which is what we should do in the first place.

Parents, as stated before, this is a much lighter movie than other Marvel films. There is swearing, action, and some kissing (one scene of extreme making out), but that is it. Middle school and above are totally fine, and even maybe down to age seven or eight.

I end by saying how Marvel movies never get enough credit for their casting choices. Very few (if any) of the casting choices have been wrong for Marvel in the past ten years (who would have thought replacing an actor like Edward Norton with Mark Ruffalo would be the better move?!) In this film, we get the sense of how much fun it was for the elder Pym’s to have been the original Ant-Man and Wasp (obviously, due to thespians like Douglas and Pfieffer). Add in Rudd, Lilly, and the others I won’t mention in the other films, and you see only a glimpse of why this universe has been so dominate, and will continue to do so.

Overall:

Rating: 3.5 out of 5.