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"Top Tens", and others Movies

Top Ten Films of 2022

Like my 2021 list, I rounded out the number of films I saw in 2022 at about 70 films. Unlike 2021 (or the last few years, for that matter), this year is not a top 20.

I’ve always been vocal in saying there are no bad movie years, but 2022 was a tad dull when compared to the likes of 2021 (and certainly to the juggernaut that was the 2019 movie year). 

This also could factor into something that hasn’t happened to me in sometime: I did not get to rewatch any movies on my list (save one). That is more on me than the movies themselves (I did watch some more TV this past year than previously, and while not a movie, I can’t stop praising the amazing Andor.)

As always, I had my share of blindspots, so movies you won’t see on here include:

  • All the Beauty and the Bloodshed
  • Babylon
  • Barbarian
  • The Black Phone
  • Close
  • Devotion
  • EO
  • Living
  • A Man Called Otto
  • No Bears
  • Pearl
  • Puss in Boots: The Last Wish
  • X

Finally, the honorable mentions

Now for the top ten, which begins on the frontlines.

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4 Stars

Armageddon Time (2022)

Anyone who has ever taken any form of creative writing class surely knows one of the first rules: write what you know.

Filmmakers  have been making films loosely based on their own childhoods for sometime now, going as far back as Truffaut’s 1959 masterpiece The 400 Blows. Yet ever since 2018’s Roma (based off of past experiences by it’s director,  Alfonso Cuarón), there has seem to be a slight uptick in these types of films: Lee Issac Chung’s Minari (2020), Kenneth Branaugh’s Belfast (2021), and Steven Spielberg’s The Fablemans, which is soon to be released in a few weeks. Now the spotlight is on the childhood of director James Gray, with Armageddon Time.