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Mark's 21st Century Movie Milestones

Number 14…

Like most of my fellow millennials, I became consciously aware of great child performances beginning with Haley Joel Osment in 1999’s The Sixth Sense.

This would pave the way for child actors of the 21st century such as Nicholas Hoult (2002’s About a Boy), Miranda Cosgrove (who broke through in 2003’s The School of Rock), Abigail Breslin (Oscar nominated for 2006’s Little Miss Sunshine), Hailee Steinfeld (also nominated for 2010’s True Grit), Quvenzhané Wallis in Beasts of the Southern Wild (yet another nomination), Tye Sheridan in 2013’s Mud, Woody Norman in 2021’s C’mon C’mon, and the more recent discovery of Alfie Williams in 28 Years Later

Then, there is Jacob Tremblay. Within ten years, he was in the likes of 2017’s Wonder (my little sister’s first date movie), Luca, and The Little Mermaid remake, just to name a few. Yet all that started with his enormous impact in 2015’s Room.

His role was no easy task. He plays the role of Jack, who has spent the first five years of his life inside of a single room. This is sadly due to his mom, Joy (Brie Larson), being kept as a sex slave in the shed of “Old Nick”. The film details Jack’s soon discovery of the situation, and eventual escape into the real world.

There have been some haters of sorts over the years of Brie Larson. I’m not sure if it has to do with anything in her personal life or her role as Captain Marvel in the MCU (regardless of how you feel about those films, she still does a solid job in the role). It’s when people say she can’t act that I laugh. Even before this, she was in the likes of Scott Pilgrim vs the World and the vastly underrated Short Term 12.

She didn’t win the Oscar for Best Actress for nothing here, and the scene where she runs to Jack in the car is as tearjerking as anything I have seen in fiction.

Obviously, this is not an easy watch of a film, so parents, keep the kids away from this one.

Even with the subject matter and the totally mood shift midway through, the film is still spell binding. I will go to my grave thinking Jacob Tremblay was robbed of a Best Actor Oscar nomination (even though he would have been passed over by the inevitable win of Leo in The Revenant). He is the glue that holds the film together, making that rare case for film to be both hard to watch yet hard to keep your eyes off of.

(As of this writing, Room is available to rent on Amazon and VOD).

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Mark's 21st Century Movie Milestones

Number 15…

As of now, there have been two times the Oscars have occurred on my birthday during my lifetime.

I have had a few birthday parties on Oscar night (such as the one in 2002, when A Beautiful Mind won Best Picture), but it was exactly two decades later, on my 35th birthday, when it was even more memorable. All people remember from this night, of course, is Will Smith slapping Chris Rock (giving me the ample chance to tell my friends not interested what had transpired), yet even that could not dampen my spirits. I got my highest prediction score to date, getting 21 of 23 (I missed Best Editing and one of the shorts categories). And, of course, the Best Picture award went to my favorite movie of 2021, CODA.

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Mark's 21st Century Movie Milestones

Number 17…

I can’t recall why I was asked to go to a certain YMCA week long camp back in 2003 (probably so my little brother was not alone, even though I hardly saw him the whole week), but the last night was indeed eventful. 

We had a canoe ride that was to be followed by a dance, in which a girl I developed a summer crush on said she would dance with me. The canoe ride when over by an hour or so (we got lost in the rain), but I got that last bit of time to dance with her (to Elvis Presley’s “Can’t help falling in love”, for that matter).

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Mark's 21st Century Movie Milestones Movies

Number 18…

In my mind, a foreign language film can go one or two ways.

Either the film can be so ingrained into a country’s culture that it would not work anywhere else, or the film can be so universal that it could be told virtually in any language or country. I personally try for the middle ground, where a movie shows characters that are relatable to any nationality or race, and no other live action foreign language film has impacted me in that way this century more so than 2011’s Iranian film, A Separation.

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Mark's 21st Century Movie Milestones Movies

Number 24…

When you think about it, there are some things in life you would not know about if it weren’t for certain movies.

I’m not talking about historical/biographical films, but more about films that get into the daily lives of people you never knew about.

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Mark's 21st Century Movie Milestones Movies

Number 25 …

For many a reason, I avoided a lot of horror films during the first decade of the century.

This is not to say because I was fearful, but mainly because all the films I heard  I had heard of ended up being lousy (it was only until much later that I would finally go back and see the likes of the first Saw film, Let the Right One In, and some of The Conjuring films).

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Mark's 21st Century Movie Milestones Movies

Mark’s Movie Milestones of the 21st Century: Intro

In the 1988 classic Cinema Paradiso, one of the last pieces of advice that Alfredo (Philippe Noiret) gives to young Salvatore (Marco Lenardi) is not to give in to nostalgia.

When one sees that movie (and one should), one realizes a sense of irony, so much of the film is about nostalgia (pumped up by an immaculate musical score by Ennio Morricone). It is this type of sentimentality that drove me to an idea of sorts as I approached 2025: my top 25 movie milestones from the first 25 years of the century.