(Not long into Dear Evan Hansen, I realized the best audience I could write to would be myself as a High School Senior.)
Dear Mark A. Lester (circa 2005),
(Not long into Dear Evan Hansen, I realized the best audience I could write to would be myself as a High School Senior.)
Dear Mark A. Lester (circa 2005),
I doubt even the biggest fan of The Office would have predicted that they would see John Krasinski stepping out with his talents like this. He not only stars in A Quiet Place, but directs and helped with the screenplay. It is only his third time at the helm as director, but it is certainly the charm.
Krasinski and Emily Blunt (his wife in real life) star as Lee and Evelyn Abbott, who live with their two kids Regan and Marcus (Millicent Simmonds and Noah Jupe, respectively). They are some of the very last survivors on earth after creatures with super sonic like hearing have killed everyone else. They have lived just under five hundred days, with a strict schedule of normal life, provided they don’t make a sound. It is fortune for them that they do live in a farm in the outside parts of New York, and have already learned how to use sign language (the daughter Regan is deaf). New dangers do arise, as we find out that a new baby is on the way.
It is obvious that there is jump scares a plenty in the film, which I am not ashamed to admit got me shaken a few times. Still, what scared me the most of the film is not the jump scares or even the creature (which is creepy, no doubt.) For me, it was knowing off the bat that, if this happend in the real world, and we all had to be quiet. I would not last long at all.
It is also refreshing how such a small cast can give strong performances. Krasinski and Blunt are obviously good (especially in one scene they share by themselves as they dance), but the kids are equally impressive. Both kids were in 2017 films: Simmonds in Wonderstruck and Jupe in Wonder (he was Auggie’s friend Jack Will). It is really Simmonds who is given the most moments to shine (she is deaf in real life).
Parents, the movie is PG-13, mainly for the horror and violence (there is bloody images, but nothing worse than what is on cable these days). Due to the lack of dialogue (though there is some), there is no real swearing. Middle school and up is fine.
It is not perfect: A second or third viewing will be needed to see if there are sounds that are made that you would think the creature would have heard. Still, undoubtably, the man responsible for A Quiet Place is Krasinski. In years to come, he could be in races for an Oscar. Still, the most impressive thing (and creepiest) came after the credits. It is not a scene, but a name of a producer that John Krasinski has linked to a good movie.
That name is Michael Bay.
When you make a good movie with Michael Bay’s name attached to it (in any way), you know a movie is not only good, but a rarity.
Overall:
⭐⭐⭐⭐
Rating: 4 out of 5.Ladies and gents, this is the moment you’ve waited for.
I went back and forth as to whether make the traditional top ten, or go with twenty. I decided on the latter for a few reasons. First, in a great year for movies, there were too many to ignore (and even at twenty, films such as Wonder Woman, Detroit, Mudbound, and Darkest Hour did not make it). Second, so what if I added more than ten? If you really want see just the top ten, here is a trick: skip down to number ten, and go from there (though you will be missing a lot of great films along the way).
20.
A passion project for director/actor James Franco, The Disaster Artist tells the tale of another passion project (and cult favorite), The Room. Franco is so wonderful in the role of the aloof Tommy Wiseau that it goes beyond comedy and becomes very human. It truly tears you apart!
19.
Renowned screenwriter Aaron Sorkin’s directorial debut, Molly’s Game, is full of electricity. As always, his dialogue snaps like fire crackers, no doubt due to the wonderful casting of greats such as Jessica Chastain and Idris Elba.
18.
The most recent film I have seen as of this writing, Faces Places is the unique documentary about legendary french film maker Agnes Varda and her friend JR (whose eyes she has never seen). They go around meeting people as they post big pictures of their subjects on vast walls. As in all great films, it goes far beyond that. It reminded me a lot about Errol Morris’s masterpiece, Gates of Heaven.
17.
Even with an all-star cast including Channing Tatum, Adam Driver, Hillary Swank, Seth Macfarlane, and (especially) Daniel Craig, a film like Logan Lucky could have gone wrong on so many levels. Thankfully, the script is so tight that every moment is real, authentic, and down right ludicrously hilarious.
16.
A prime example of a movie you either love or hate, I am on the former when it comes to Star Wars: The Last Jedi. No, we did not get any “answers” to questions we may have had, but so what? It was a Star Wars film that gave us new twists and turns we had not seen before, plus was much better than the overrated Rogue One.
15.
From one sci-fi sequel to another, Blade Runner 2049 is full of a lot of questions that are also unanswered. What no one will question is the gorgeous scope of the film, thanks in part to cinematographer Roger Deakins (who may finally get his Oscar now).
14.
In one of the best years for superhero films, my pick still goes to Logan. A swan song of epic proportions, Hugh Jackman truly goes out swinging. Or clawing.
13.
Even if the film was rushed, Steven Spielberg’s The Post has a fire burning in the soul, which shows in the cast led by Hollywood giants Meryl Streep and Tom Hanks. It is a movie that, had it not been made, I would not be reminded of the right I have to be typing these words in the first place.
12.
How wickedly devilish is the film I, Tonya! So fun, and self-aware of itself, it gives a stellar Margot Robbie performance, and heaven knows how wonderful Allison Janney is as one of the worst mom’s in recent cinema history.
11.
As Miguel tugs at the guitar strings, so does Coco tug at our heart-strings. Which, by now, is totally the standard Disney/Pixar films have set for all animated films (and others in general).
10.
One of the most original scripts in recent memory, Greta Gerwig’s Lady Bird is full of outstanding wit and charm. It is also more proof why Saoirse Ronan is truly one of the best actors of her generation.
9.
Of all the movies I saw this year, I fought the hardest (okay, fought myself) for Wonder to be in the top ten. Based of the book of the same name (which I highly recommend), this wonderful fable of why it is important to #choosekind is something I cannot imagine parents not taking their kids to.
8.
Very few, if any, director has a current positive track record than Christopher Nolan, and Dunkirk is no exception. Packed with more than enough tension and grit, it is as fitting a war film as they come.
7.
At only around an hour and a half, few films of this (or any) year have given me more questions than that of A Ghost Story. Like a pool, you soak in it, look at the reflection, and see all the questions you want answered. Multiple viewings are needed, and are something I plan to do in the time I have left on earth.
6.
Another one of the most original scripts in years, Three Billboards Outside Ebbing, Missouri is a tough sit through at many times. Yet it has so much dark peppered humor and spot on performances (mainly McDormand, Woody Harrelson, and especially Sam Rockwell) it is hard to turn away.
5.
The true story of how one man met his wife, The Big Sick is still the best rom com I have seen in nearly a decade. All the actors are hilarious and convincing, and the writing is top-notch. I still can’t get over that 9/11 joke.
4.
I had never thought of what could be outside the walls of Disney World before I saw The Florida Project. I doubt I am alone. With some of the best acting from children you will see, and a sublime Willem Dafoe, the movie takes us to a place that has been under the shadows of Disney for far too long.
3.
Like most, I had to wait nearly a month before I could see Phantom Thread, but it was far worth the wait. Daniel Day-Lewis gives (no surprise) a perfectly majestic performance as a dress-maker in 1950s London, whose new muse (Vicky Krieps) must put up with him. Director Paul Thomas Anderson treats the film as gentle as the fabric that Woodcock works with in his shop.
2.
Of all the love stories of this year, my favorite still goes to that of a mute help worker and a sea creature in The Shape of Water. Guillermo Del Toro gives us a world of endless possibilities, filled with memorable characters (don’t get me started on how much we love to hate Michael Shannon here), astounding visuals, and a love that is not easy to forget.
1.
I can imagine a lot of people being surprised at my number one pick, but after more than one viewing, I just could not deny IT. Undoubtably one of the top four or five adaptations of Stephen King, the film is far more than a horror masterpiece. It is also about coming of age (I have yet to meet anyone who though negatively of the kid performances, all of whom are perfect in their roles), young love, bullying, and, of course, clowns.
Floating has never been so terrifying. Or enjoyable.
There are many reasons why Wonder hit home for me, but the biggest has to be because I am such a supporter of anything that has to do with anti-bullying.
As a small, autistic child with a larger sized head (“Big head” was a huge nickname for me as a child), it is easy to see why I was picked on as a kid. If only Wonder had come out two decades earlier (Note: I did have friends as a child so don’t feel too sad for me or anything.)