Categories
Mark's 21st Century Movie Milestones

Number 14…

Like most of my fellow millennials, I became consciously aware of great child performances beginning with Haley Joel Osment in 1999’s The Sixth Sense.

This would pave the way for child actors of the 21st century such as Nicholas Hoult (2002’s About a Boy), Miranda Cosgrove (who broke through in 2003’s The School of Rock), Abigail Breslin (Oscar nominated for 2006’s Little Miss Sunshine), Hailee Steinfeld (also nominated for 2010’s True Grit), Quvenzhané Wallis in Beasts of the Southern Wild (yet another nomination), Tye Sheridan in 2013’s Mud, Woody Norman in 2021’s C’mon C’mon, and the more recent discovery of Alfie Williams in 28 Years Later

Then, there is Jacob Tremblay. Within ten years, he was in the likes of 2017’s Wonder (my little sister’s first date movie), Luca, and The Little Mermaid remake, just to name a few. Yet all that started with his enormous impact in 2015’s Room.

His role was no easy task. He plays the role of Jack, who has spent the first five years of his life inside of a single room. This is sadly due to his mom, Joy (Brie Larson), being kept as a sex slave in the shed of “Old Nick”. The film details Jack’s soon discovery of the situation, and eventual escape into the real world.

There have been some haters of sorts over the years of Brie Larson. I’m not sure if it has to do with anything in her personal life or her role as Captain Marvel in the MCU (regardless of how you feel about those films, she still does a solid job in the role). It’s when people say she can’t act that I laugh. Even before this, she was in the likes of Scott Pilgrim vs the World and the vastly underrated Short Term 12.

She didn’t win the Oscar for Best Actress for nothing here, and the scene where she runs to Jack in the car is as tearjerking as anything I have seen in fiction.

Obviously, this is not an easy watch of a film, so parents, keep the kids away from this one.

Even with the subject matter and the totally mood shift midway through, the film is still spell binding. I will go to my grave thinking Jacob Tremblay was robbed of a Best Actor Oscar nomination (even though he would have been passed over by the inevitable win of Leo in The Revenant). He is the glue that holds the film together, making that rare case for film to be both hard to watch yet hard to keep your eyes off of.

(As of this writing, Room is available to rent on Amazon and VOD).

Categories
3 1/2 Stars

The Fantastic Four: First Steps (2025)

The Fantastic Four: First Steps is the first MCU entry in some time where prior knowledge of previous films/TV Shows is not entirely needed. 

Admittedly, I was thrown off at the start when I found out the setting was Earth-828, which is not the main earth from the prior MCU films  (that was…let me check…oh right, Earth-616). This is an interesting approach, since the Fantastic Four are, as far as I can tell, behind only Spider-Man and the X-Men when it comes to the most prominent of Marvel characters.

Categories
Mark's 21st Century Movie Milestones

Number 15…

As of now, there have been two times the Oscars have occurred on my birthday during my lifetime.

I have had a few birthday parties on Oscar night (such as the one in 2002, when A Beautiful Mind won Best Picture), but it was exactly two decades later, on my 35th birthday, when it was even more memorable. All people remember from this night, of course, is Will Smith slapping Chris Rock (giving me the ample chance to tell my friends not interested what had transpired), yet even that could not dampen my spirits. I got my highest prediction score to date, getting 21 of 23 (I missed Best Editing and one of the shorts categories). And, of course, the Best Picture award went to my favorite movie of 2021, CODA.

Categories
4 Stars

Superman (2025)

Ever since his 1938 introduction to society, no other fictional character (let alone superhero) has had to put up with society more than Superman. 

It is no wonder there have been comparisons to biblical figures like Moses and Jesus (in the original film, remember the dialogue of “I have sent them you, my only son”). It is not too far fetched to believe that we as humans would not take long to start treating the man of steel as an after thought. Yet still, as portrayed in James Gunn’s Superman, he persists to protect us.

Categories
Mark's 21st Century Movie Milestones

Number 16…

It must be annoying to be a film star and have fans who are foolhardy to ask you to “do” a character of theirs for them. I imagine if anyone were brave enough to ask that to Daniel Day-Lewis, and he were willing, he would say something like “Come back in a year”.

It was Marlon Brando who became the original cinematic method actor, paving the way for the likes of Al Pacino, Robert De Niro, Christian Bale, Heath Ledger, Charlize Theron, and Jeremy Strong, just to name a few. Yet Daniel Day-Lewis is almost another breed. The behind the scene stories of him are ghastly: being carried around in between takes of My Left Foot (where his character had cerebral palsy), making his own canoe during The Last of the Mohicans, and even denying specific medical treatment during Gangs of New York because the meds were not around during the time of the film. 

Categories
1 Star

Jurassic World: Rebirth (2025)

A decade after the rather refreshing return to the dino verse with Jurassic World, I’ve finally found the one high point that has occurred: The Lego Jurassic World Video game.

Like all the Lego games based off of IP, the humor is right in my wheel house. The best part by far is unlocking Lego Steven Spielberg and having him hit targets by throwing Oscars. That to me is bliss. On the other end of this spectrum is misery, which is reserved for every one of the sequels that has followed: Fallen Kingdom, Dominion, and, now, Rebirth.

Categories
4 1/2 Stars

F1 (2025)

Since my review of Ford v Ferrari,my views and knowledge of motor racing as a sport have been so unchanged I almost started this review the same way as I did that film. Not sure what that says, but oh well.

Either way, there are not many films out there about the sport of motor racing (and while I’ve only seen two of the films in The Fast and the Furious franchise, I’m confident in saying those don’t count). Regardless, two years after he brought sensational effects with Top Gun: Maverick, director Joseph Kosinski brings that same bravado and care with F1.

Categories
Mark's 21st Century Movie Milestones

Number 17…

I can’t recall why I was asked to go to a certain YMCA week long camp back in 2003 (probably so my little brother was not alone, even though I hardly saw him the whole week), but the last night was indeed eventful. 

We had a canoe ride that was to be followed by a dance, in which a girl I developed a summer crush on said she would dance with me. The canoe ride when over by an hour or so (we got lost in the rain), but I got that last bit of time to dance with her (to Elvis Presley’s “Can’t help falling in love”, for that matter).

Categories
4 1/2 Stars Movies

28 Years Later (2025)

Whether it was at the age of 10 when I discovered the idea of zombies through the OG Resident Evil games (and later, the atrocious movies), my brief obsession with The Walking Dead (I stopped watching not long after Carl was killed off), or only recently catching up with the 28 days films, I have come to one solid conclusion: I would not last long in a zombie apocalypse. 

There are too many factors to consider, but the main reason is that without the meds I normally take, I’m a goner. Nevertheless, the idea of a zombie apocalypse has been lodged in our society’s psyche since the days of George A. Romero. Now, director Danny Boyle (along with Alex Garland as a script writer) have come back to the universe they created in 2002, with 28 Years Later, the third in the series (both were absent for 28 Weeks Later).

Categories
Mark's 21st Century Movie Milestones Movies

Number 18…

In my mind, a foreign language film can go one or two ways.

Either the film can be so ingrained into a country’s culture that it would not work anywhere else, or the film can be so universal that it could be told virtually in any language or country. I personally try for the middle ground, where a movie shows characters that are relatable to any nationality or race, and no other live action foreign language film has impacted me in that way this century more so than 2011’s Iranian film, A Separation.