Hopefully you won’t find this too vulgar of me, but when I think of the Laika film studios, the word that keeps coming to mind is “ballsy”.
With five feature films already under their belt (two of which, The Boxtrolls and Missing Link, I still need to see), they have been walking to the beat of their own drum since Coraline came out in 2009. I was a little late to the party, having only discovered them a decade ago with Kubo & the Two Strings (which I called the best film of 2016); it did not take long to realize they make films that are a darker alternative to the films of Disney, Pixar, Illumination, and the other studios around.
