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Mark's 21st Century Movie Milestones Movies

Number 19…

As I grow older, I realize I have a need for afternoon naps.

Sadly, I would find this out during my times at the theater, making me miss out on key parts of certain films that are, for the most part, great movies (some examples include Mad Max: Fury Road, The Boy and the Heron, and, recently, Ballerina). So naturally, when I went to see Todd Fields’ TÁR, I was worried I would clock out for twenty minutes or so. That did not happen at all.

The film centers on Lydia Tár (Cate Blanchett), a world renown EGOT winning composer who was given more talent and drive as a person than any form of empathy or kindness (shout out to whoever originally thought she may be a relative of sorts to Terrence Fletcher from Whiplash). The story revolves around her rise in the music community with her eventual fall. 

I revisited this movie a little over a month ago for the first time since it’s release, and I still feel as though I am scratching the surface: the film contains a manifold of meanings. Director Todd Fields gives a look into a subject rather prevalent to our society the last few years (cancel culture) with a character you can still feel for despite how horrendous her actions are (remember the scene where she stands up to her daughter’s bully? You will never feel worse for a bully in a film.)

I’m not sure when it occurred to me, but I am rather confident in saying that Cate Blancett is probably my favorite living actress. While I have not seen all of her films, I have still yet to see her give a bad performance (thankfully, I missed out on Borderlands). I can’t think of any actress who can portray “steely resolve” better than she can. She even manages to have fun with roles ranging from Indiana Jones to the MCU. She never phones anything in. You truly can’t start talking about the best of all time without bringing her up.

I’m not entirely sure why the character is named TÁR (it is an anagram for “Art” as well as “Rat” spelled background), but I do have my own theory. Weeks ago, I was driving to work and sadly got a lot of tar sprayed on my car. Removing Tar from the surface of the car is not easy, just like watching TÁR is not easy to forget.

(As of this writing, TÁR is available on VOD).

Categories
"Top Tens", and others Movies

My predictions for the 95th Academy Awards

Welp, here we go again. I am coming in at the 11th hour, but my predictions are ready. Sadly, I did not get to seeing all I wanted to in time, but such is life.

True, last year I lucked out in going 21/23 (my best to date), but perhaps I am being too modest in saying you should take that with a grain of salt. The only true prediction I know for sure is that Will Smith won’t be there.

Note: As always, I know nothing about the idea of betting odds or anything, so don’t come yelling at me if you lose money.

Categories
"Top Tens", and others Movies

Top Ten Films of 2022

Like my 2021 list, I rounded out the number of films I saw in 2022 at about 70 films. Unlike 2021 (or the last few years, for that matter), this year is not a top 20.

I’ve always been vocal in saying there are no bad movie years, but 2022 was a tad dull when compared to the likes of 2021 (and certainly to the juggernaut that was the 2019 movie year). 

This also could factor into something that hasn’t happened to me in sometime: I did not get to rewatch any movies on my list (save one). That is more on me than the movies themselves (I did watch some more TV this past year than previously, and while not a movie, I can’t stop praising the amazing Andor.)

As always, I had my share of blindspots, so movies you won’t see on here include:

  • All the Beauty and the Bloodshed
  • Babylon
  • Barbarian
  • The Black Phone
  • Close
  • Devotion
  • EO
  • Living
  • A Man Called Otto
  • No Bears
  • Pearl
  • Puss in Boots: The Last Wish
  • X

Finally, the honorable mentions

Now for the top ten, which begins on the frontlines.

Categories
5 Stars

TÁR (2022)

Perhaps I should just state it from the get go here: If you are someone who wants as little ambiguity in a film as possible, then TÁR is not a film for you.

If you want to have a movie to tell people they need to seek out for the purpose of needing someone to talk to about what you just witnessed, you won’t find a better candidate on any sized screen this year.