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4 Stars

Power Ballad (2026)

After the backwash of films like Ray (2004) and Walk the Line (2005), the last two plus years of musical biopics have (for the most part) been quantity over quality.

In that time, there is director John Carney, who has specialized in dramas revolving around music. Nearly two decades since 2007’s Once, he has helmed Begin Again (2014), Sing Street (2016), and Flora and Son (2023). Now comes Power Ballad, proving he knows the idea of how to do quality over quantity (Flora and Son is probably his most forgettable, but that does not make it a bad flick).

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2 1/2 Stars

Sinners (2025)

A few hours prior to seeing Ryan Coogler’s newest feature, I was in a conversation with my co-worker Dante.

He accused me of conforming with the critics. He challenged me to supply him with films that I disagreed with the majority of the critics (and in which nostalgia could not play a factor). Well Dante, what timing you have sir, because I am here to say I am not the biggest of fans of Sinners, possibly my hottest of takes since my original view of Get Out in 2017 (note: I rewatched Get Out, and atoned for my mistake.)

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3 Stars

Bohemian Rhapsody (2018)

“Easy come, easy go, will you let me go?”

These lyrics could be attributed to Rami Malek’s performance as Freddie Mercury in Bohemian Rhapsody. He does do a rather fantastic job, but the filmmakers seem to be holding so much more back that he could use (basically, they are telling him “we won’t let you go”).

Malek is easily the best thing about the film. I feel the negatives of the film (and there are a more than a few) may actually hold him back from an Oscar nomination (though I could see him getting a nod for a Golden Globe).