After the backwash of films like Ray (2004) and Walk the Line (2005), the last two plus years of musical biopics have (for the most part) been quantity over quality.
In that time, there is director John Carney, who has specialized in dramas revolving around music. Nearly two decades since 2007’s Once, he has helmed Begin Again (2014), Sing Street (2016), and Flora and Son (2023). Now comes Power Ballad, proving he knows the idea of how to do quality over quantity (Flora and Son is probably his most forgettable, but that does not make it a bad flick).
Nothing else to say 