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4 1/2 Stars

Disclosure Day (2026)

With his latest feature, I found out (thanks to the marvel that is Letterboxd) that I have seen 30 films helmed by Steven Spielberg, tying for the most I’ve seen by anyone (tied with the only person I consider superior, Alfred Hitchcock).

Why bring this up? As arguably the most well-known filmmaker of the last half-century, one might think that we would see some familiarities in Spielberg’s work by now. When his most recent film, Disclosure Day, started up, I knew nothing outside of what everyone else did: that it had to do with Aliens. Imagine my surprise when the first thing we see is…well, not at all what I could have had on my radar (and certainly nothing I can remember seeing in a Spielberg film before). My guy still knows how to surprise.

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4 Stars

Power Ballad (2026)

After the backwash of films like Ray (2004) and Walk the Line (2005), the last two plus years of musical biopics have (for the most part) been quantity over quality.

In that time, there is director John Carney, who has specialized in dramas revolving around music. Nearly two decades since 2007’s Once, he has helmed Begin Again (2014), Sing Street (2016), and Flora and Son (2023). Now comes Power Ballad, proving he knows the idea of how to do quality over quantity (Flora and Son is probably his most forgettable, but that does not make it a bad flick).

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2 Stars

Michael (2026)

As Michael started, I found myself guessing I knew no more than approximately 20% about the King of Pop. 

By the end, I would bump that up to roughly 25-30%.

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1 1/2 Stars

Lilo & Stitch (2025)

While I never saw the full movie, I saw enough clips on YouTube to see why most people agree movie remakes don’t get as unnecessary (let alone bad) as 1998’s remake of the Hitchcock masterpiece Psycho

Apparently, when asked why he did the (nearly) shot for shot remake in the first place, director Gus Van Sant responded “So no one else had to.” This mindset is the only silver lining I can think of for Disney with their live action remakes, whether good or bad, and the remake of Lilo & Stitch falls in the latter category.