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4 1/2 Stars

Disclosure Day (2026)

With his latest feature, I found out (thanks to the marvel that is Letterboxd) that I have seen 30 films helmed by Steven Spielberg, tying for the most I’ve seen by anyone (tied with the only person I consider superior, Alfred Hitchcock).

Why bring this up? As arguably the most well-known filmmaker of the last half-century, one might think that we would see some familiarities in Spielberg’s work by now. When his most recent film, Disclosure Day, started up, I knew nothing outside of what everyone else did: that it had to do with Aliens. Imagine my surprise when the first thing we see is…well, not at all what I could have had on my radar (and certainly nothing I can remember seeing in a Spielberg film before). My guy still knows how to surprise.

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4 Stars

Power Ballad (2026)

After the backwash of films like Ray (2004) and Walk the Line (2005), the last two plus years of musical biopics have (for the most part) been quantity over quality.

In that time, there is director John Carney, who has specialized in dramas revolving around music. Nearly two decades since 2007’s Once, he has helmed Begin Again (2014), Sing Street (2016), and Flora and Son (2023). Now comes Power Ballad, proving he knows the idea of how to do quality over quantity (Flora and Son is probably his most forgettable, but that does not make it a bad flick).